The Australian National Maritime Museum has been Google Cultural Institute Partner since early 2015 and this week we launched our next exciting round of features on the platform.
Sharing our collection with Google
Google’s Cultural Institute began in 2011 as the Google Art Project. It is an effort to make important cultural material available and accessible to everyone and to digitally preserve it to educate and inspire future generations. As partner of the program, the museum joins over 670 other institutions sharing highlights from our collection on the platform as part of a global repository of human history. You can explore the Institute’s collections on their website or through the Arts and Culture app (from the Google Play Store or iTunes store).
Mapping the museum and our vessels
You can now virtually sightsee the permanent galleries and several of our historic vessels through Google Street View on the Arts and Culture platform (and Google maps). The Google team captured over 500 panoramas of our galleries and precinct. This high-resolution imagery has been seamlessly stitched together to guide you through the museum.
Explore our online collection in Street View by clicking the collection items in the tray on the bottom of the screen, or by clicking on the highlighted item directly on the Street View. You can spend an afternoon virtually walking through our galleries, casually reading the object labels…from the comfort of your favourite smart device. Our Navigators and Watermarks galleries, in particular, have many treasures waiting to be discovered.
HMB Endeavour, HMAS Vampire, HMAS Advance and top deck of HMAS Onslow were also captured for Street View – this was a world first for Google to digitise heritage vessels while the vessels are in the water. Indeed, the slight motion and rocking of the vessels (especially HMB Endeavour) proved a challenge for the Google team when capturing the imagery.
Capturing our art collection at impossibly high resolutions
The Art Camera was developed by Google to capture beauty and power of art in all its details. The camera captures a gigapixel image of the artwork in detail greater than what meets your eye when standing in front of an artwork in person. With the Art Camera you can see very brush stroke, crack in the paint and smudge by the artist’s hand – with incredible clarity.
We have launched over 25 new Art Camera objects on our online collection. These include traditional oil paintings of tallships, contemporary Indigenous Saltwater Barks, modern landscapes and early charts of the Australian coastline.
Digital exhibition of an object
Sydney in Watercolour is our latest exhibition on the Institute. It explores Sydney Harbour as it was rendered by Muriel Binney in 1907. These four hand painted watercolours were captured by the Art Camera and show a harbour of wooden boats and tallships, both at work and at leisure. Each panel is over five meters long in person, making it a difficult work to display in our galleries but it’s delicate detail excel in the online exhibition – be sure to click and drag the panoramas around to see all the delightful details.
Exploring HMAS Vampire with digital classrooms
We’re also proud to announce our first Google Expedition was released this week. Expeditions are Virtual Reality (VR) guided tours and classroom lessons. Teachers and students download the Expeditions app (via the Google Play Store or iTunes) onto a smart device and then undertake a virtual excursion using 360 imagery and/or Google Cardboard VR.
For HMAS Vampire, teachers access questions, notes and a tour of the Destroyer, covering what life was like for the crew onboard. Students are guided through the ship by their teachers in less than an hour. This is a fantastic initiative for students were can’t physically visit HMAS Vampire and the Expedition accessible worldwide.
Google is constantly expanding their digital cultural programs and the museum hopes to develop VR audio exhibitions of several collection objects in the near future (stay tuned!).
— Kate Pentecost, Digital Curator.